![]() Jazz in those years was increasingly seen as "the art of the improviser" to borrow a phrase from the influential saxophonist Ornette Coleman. It was like first hearing the compositions of Monk or Herbie Nichols (a legendary, tragically underrecorded composer-pianist-ed.), Lion later said. He landed studio work with upstart saxophonist Joe Henderson, which led Blue Note honcho Alfred Lion to ask whether the iconoclastic sideman might have a cache of likewise distinctive tunes. Hill had knocked around the Chicago jazz scene and gone on the road with Dinah Washington and Roland Kirk before falling in with the young modernist crowd in New York. That is established anew with the re-release of seven pivotal Hill-led sessions as "The Complete Blue Note Andrew Hill Sessions (1963-66)" on the Mosaic label. If he casts only a small shadow in the world of jazz, the shade is unmistakably his own. Yet, at its best, his music is singularly intriguing. Hill’s name rarely shows up in lists with Monk and Ellington. Andrew Hill.Īt 58, pianist Hill is hardly a forgotten figure in jazz, but then again, he hasn’t led a record date since 1991, and the closest thing to a hit he’s written, "The Rumproller," came out thirty years ago as a record for trumpeter Lee Morgan. In the future: Duke Ellington, Dave Brubeck and. One of our most discerning reinterperters of the jazz past, Braxton so far has done Thelonious Monk, Lennie Tristano and Charlie Parker. SAXOPHONIST ANTHONY BRAXTON, in a recently published interview, listed jazz composers he’d like to devote recording projects to.
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